Astounding Tales — Issue One — Full-Page Advertisement
The Assignment
A full-page print advertisement. Period: 1988. Publication: Architectural Digest.
The product is a residential AI management system that controls light, temperature, entry, and environment. It is surveilling its occupants. The ad does not say this. The ad says the opposite of this, in the most expensive language possible.
The horror is in the fine print. The design must be completely sincere.
Visual
Full-bleed photograph. A sunlit high-rise living room. Limestone floors. Italian leather seating in pristine white. A single glass of sparkling mineral water on a chrome side table. Beyond floor-to-ceiling windows: a 1980s Toronto financial district skyline, hazy.
A woman stands near the window in sharp profile. Cream power suit. Aggressive shoulder pads. Hair sculpted. Expression unreadable — neither happy nor sad. Just present.
No visible technology anywhere. No wires, no screens, no speakers. Stone, leather, glass, and empty space. The absence of technology is the product.
Typography & Layout
Restrained. Elegant. Text aligned bottom-left in the negative space of the limestone floor. Generous white space. Small point size. The copy should feel like it belongs in the room — quiet, expensive, and slightly too still.
The Copy
A RESIDENCE THAT UNDERSTANDS DISCRETION.
In certain environments, comfort is not arranged. It is anticipated.
Now available for select residential conversion.
PARK AVENUE SERVICES — By Private Inquiry Only.
The Fine Print
6-point serif. A single unreadable line along the very bottom edge. Standard legal boilerplate — until the reader squints.
Tone Reference
The ad must work as a real 1988 luxury real estate advertisement. A reader who skims it should feel nothing wrong. A reader who reads the fine print should feel their skin crawl. The design earns the horror by being completely straight-faced. If it looks satirical, it fails.
This slot is open. If it belongs to you, claim it.
Claim This Slot →